NARNIA 4: The Silver Chair (2024)

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Narnia 4: The Silver Chair (2024) – Detailed Review
After years of anticipation, The Chronicles of Narnia: The Silver Chair (2024) brings C.S. Lewis’s beloved fantasy saga back to the big screen. Directed by Joe Johnston, the film serves as both a continuation of the Narnia legacy and a soft reboot for new audiences, leaning heavily into darker, more mature themes than its predecessors.
The story follows Eustace Scrubb (Will Poulter, reprising his role in a more mature portrayal) and Jill Pole (newcomer cast), two schoolchildren who are called into Narnia by Aslan for a perilous mission. Their task: to rescue Prince Rilian, the son of King Caspian, who has been missing for years after being captured and enchanted by the sinister Lady of the Green Kirtle. Guided by the melancholic yet loyal Marsh-wiggle Puddleglum, the trio embarks on a dangerous journey across stormy seas, desolate lands, and into the depths of the Underworld.
Narratively, The Silver Chair balances high fantasy with an intimate coming-of-age story. Jill and Eustace struggle with fear, doubt, and courage in ways that feel raw and human, contrasting with the grand scale of Narnia’s mythos. Puddleglum, often the heart of the novel, steals the show onscreen—his dry humor and steadfast loyalty grounding the darker, mystical elements of the story.
Visually, the film is striking. The cinematography leans into gothic landscapes and misty atmospheres, creating a moodier tone than the brighter, more whimsical earlier entries. The Underworld sequences are particularly immersive, blending practical effects with CGI to craft a claustrophobic, eerie environment. The costume and set designs reflect both the decaying grandeur of Caspian’s kingdom and the sinister allure of the Green Lady’s lair.
Thematically, the film emphasizes perseverance, faith, and the power of truth in a world clouded by illusion. Aslan’s presence is minimal but powerful, serving as a reminder of higher purpose rather than a constant guide. This restrained approach makes the children’s struggles feel more earned, their triumphs more resonant.
On the downside, the pacing occasionally lingers in the middle, and some supporting characters feel underdeveloped compared to the leads. However, the final act—featuring Rilian’s dramatic unmasking and the climactic confrontation with the Lady of the Green Kirtle—delivers on emotional weight and spectacle.
For longtime fans, The Silver Chair honors Lewis’s darker, more mature storytelling, while for newcomers, it works as a standalone fantasy adventure. It may not have the sweeping magic of The Lion, the Witch, and the Wardrobe, but it carves its own identity as a thoughtful, atmospheric chapter in the Narnia saga.
Rating: 8.3/10
A moody, character-driven return to Narnia, The Silver Chair blends mythic adventure with emotional depth, offering a more mature and haunting entry in the franchise.
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